In recent decades, multi-platform strategies have strongly focused on the production and distribution side of media industries. Çalışma kapsamında Proje sorumlusu Ahmet SAN ile röportaj gerçekleştirilmiştir. Bu bağlamda çalışma kapsamında öncelikle yerel yönetimlerin sosyo-ekonomik açıdan geliştirilmesinde film platolarının rolü olgusu, Büyükçekmece'de inşaatı devam eden 'Midwood Projesi' üzerinden irdelenecektir. İstanbul ilinde Büyükçekmece Belediyesi sınırları içinde inşası devam eden ve dünyanın üçüncü büyük film platosu olacağı öngörülen 'Midwood' adı verilen projenin o bölgede yaşayan insanlara, yerel yönetim birimlerine sosyo-ekonomik katkısı olacağı ve bölgenin tanıtımına büyük faydası olacağı düşünülmektedir. Bu platoların bulunduğu bölgede yaşayan insanların, kentin fiziksel alanını ve sosyo-ekonomik yapısını derinden etkileyen bir niteliği bulunmaktadır. Bu film platoları, film endüstrisi için yerel düzeyde kurulan uluslararası alanda faaliyet gösterebilen yapay yaşam alanlarıdır. Ancak küresel bir köye dönüşen dünyada yerel yönetimlerin, küresel düzeyde de adından söz ettirebileceği faaliyetlerinin olduğu görülmektedir. Yerel yönetimlerin temel görev alanı yerelde yaşayan insanların ihtiyaçlarını karşılamaktır. Yerel yönetimler, yerel ölçekte yerel halkın ihtiyaçlarını karşılayan kurumların başında gelir. These results inform future models of the film industry by highlighting the importance of macroeconomic effects on the industry as a whole. The depth of a recession appears to be an especially important determinant. Results show that macroeconomic fluctuations do have a significant effect on film-industry revenues and a declining economy curtails growth, as measured in terms of the mean of revenue and persistence over time. This period, which includes three periods of recession, is analyzed using a number of time-series econometric methods.

Louis Federal Reserve Economic Database from 1990 to 2019. motion-pictures industry using data from Box Office Mojo and the St. This paper seeks to empirically evaluate the effect of recessions on box-office revenues of the U.S. This belief, which primarily grew out of the success of the film industry in the early years of the Great Depression, has been pervasive in the industry, and, to a lesser degree, among academics, despite a lack of empirical evidence to support it. There is a longstanding belief among motion-pictures industry observers that box-office revenues are largely unaffected by poor macroeconomic conditions. Thus, the tax rise would have increased the annual expenditure of those households that spend on cinema and performing arts regularly. However, this average treatment effect would not have been homogeneous, as we identify an average treatment effect conditional on participation of 52.37 euros. We find that the average household expenditure on cinema and performing arts of the untreated households would not have changed significantly, had untreated households been exposed to the VAT rise. As the sample of treated households (exposed to the VAT rise) is much larger than the sample of untreated households (exposed to the IGIC rise), we use causal inference methods to estimate the average treatment effect of the VAT rise on the untreated households. Such an uneven raise in the tax rates is the source of exogenous variation used for identification in this paper. Indirect taxation levied on cinema and performing arts through the General Indirect Tax of Canary Islands (Impuesto General Indirecto de Canarias, IGIC) had changed in July 2012 by only 2 percent points. As of September 2012, value-added tax (VAT) on cinema and performing arts in Spain was raised 13 percent points, with the exception of the Canary Islands which are not part of the Spanish VAT territory. This paper draws inference on the effect of changes in indirect taxation on household spending on cinema and performing arts using data from the Spanish household expenditure survey.

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